An Introduction to French Pronunciation, Revised Edition by Glanville Price

By Glanville Price

That allows you to converse French because it is spoken by means of native-speakers, one wishes not just to listen to the language, yet to grasp what to pay attention for. This complete and available consultant to present French pronunciation fulfils accurately this want.

The first 3 chapters define the book's goals, point and scope, in addition to the final rules of French phonetics. the writer additionally indicators the reader to local adaptations within the pronunciation of French. He then turns to specifics, together with vowels, semi-consonants and consonants, delivering the reader with the elemental wisdom had to comprehend later chapters which debate those elements of speech at larger size. Interspersed are different chapters overlaying such very important facets of French pronunciation as rhythmic teams, the syllable, liaison and intonation.

The orientation of An advent to French Pronunciation’s is continually functional, and phonetic concept and technical terminology are saved to the minimal priceless. will probably be of curiosity to someone with a easy wisdom of French who wishes aid and recommendation achieve a extra genuine pronunciation.

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Extra info for An Introduction to French Pronunciation, Revised Edition

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The fact that the mouth is less open for the latter part of the -a- or the -o- than at the start means that the quality of the sound changes. In reality, then, the vowels are not ‘pure’ – they are, in fact, diphthongs, and just as much so as the diphthongs of words such as boy, oil or cow, town, house. 1 The Vowel Phonemes Principles of Classification If we are to classify the vowel phonemes of a language on a systematic basis, we need to lay down the factors that have to be taken into account.

3 The situation in relation to French is very different in that the normal stress is associated not with the word but with the rhythmic group (see chapter 7). 4, we can say that in la petite maison the only normally stressed syllable is -son, while in la maison est petite the only normally stressed syllable is -tite. 4 There is no universally recognized terminology for referring to different types of stress. In particular, what is here referred to as ‘normal stress’ is elsewhere variously termed ‘unemphatic stress’, ‘tonic stress’, ‘final stress’, ‘grammatical stress’ and ‘logical stress’ (the least satisfactory of the lot).

3 Corresponding to the vowel /i/, we have the semiconsonant represented by the IPA symbol /j/ (derived from the German value of j as in Jung, ja – it is important not to confuse this IPA value of /j/ with the j (= IPA ) of normal French orthography, as in je, jour). In normal French orthography this is represented by y, as in yeux /jø/, payer /peje/, or by i, as in pied /pje/, or by ll, il or ill as in fille /fij/, œil /œj/, paille /paj/. ). In reality, the degree of friction is less in these circumstances than when it precedes a vowel (as in yeux, pied ).

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